Jonathan Strange & Mr Norrell: A Novel
|Title: Jonathan Strange & Mr Norrell||Author: Susanna Clarke|
|Publisher: Bloomsbury Publishing PLC||Rating:|
|Publication Date: 2004||Genre: Fantasy,|
Why Picked: A Friend’s Favorite
“Some years ago there was in the city of York a society of magicians.”
At the dawn of the nineteenth century, two very different magicians emerge to change England’s history. In the year 1806, with the Napoleonic Wars raging on land and sea, most people believe magic to be long dead in England—until the reclusive Mr Norrell reveals his powers, and becomes a celebrity overnight. Soon, another practicing magician comes forth: the young, handsome, and daring Jonathan Strange. He becomes Norrell’s student, and they join forces in the war against France. But Strange is increasingly drawn to the wildest, most perilous forms of magic, straining his partnership with Norrell, and putting at risk everything else he holds dear. 
This has been on my TRB shelf for years. A favorite book of one of my dearest friends, recommended over and over again by so many people, yet every time I would try to read it I could not get anywhere. It was not for lack of trying, nor was it because I did not like it. What truly baffled me was I was easily able to read and adored Clarke’s book of short stories “The Ladies of Grace Adieu and Other Stories .” So why could I not tackle the story of Strange and Norrell.
After years, I finally figured out it out. I found that since children entered my life I rarely have long, leisurely reading time. My reading is like an affair committed in hallways and cars. I read 5 minutes here and 15 minutes there and often am, like so many other American adults, so sleep deprived that if you put me in a warm car with a book I am asleep before I am 5 pages in. So a book rich in story and elegant in language? It didn’t stand a chance. These are the books that need time and chucks of it to be read and savored. This book was a commitment not an affair.
Jump forward to my discovery that, while I could not easily listen to audio books in bit and pieces, because my mind would wander into the never ending list of 100 things I still have to do today, I could listen to them during long drives alone to visit friends. Coincidentally one of them the friend who loves JS&MN so hard he never gave up trying to get me to read it. Fast forward again to my taking on a barter situation where I clean for someone about 6 hours a week and suddenly I am whizzing through audio books. So I finally broke down and I got an Audible account. I listened to all of the available Dresden files. I listened to all of the available Fairyland books. So what was next? I suddenly remembered that when I could not get though a book I loved called Chime, which is another story of how I learned to love the audio format, I tried the audio of JS&MN. And I discovered that while I could not read it I absolutely could listen to it.
There were some bumps which I was concerned about. The major one was footnotes! How do you listen to a story with something along the lines of 180 footnotes and not lose the narrative of the story? For me this was not an issue beyond wanting to write down the books mentioned in many of them for future reading and then remembering the majority of them are made up and do not exist. Simon Prebble, the narrator, was able to handle these footnotes with smoothness and grace which made them a non-issue for me.
The story itself is a beautifully told story of magic and longing, of miserliness and need, of the fae and the folk. It is a story of Napoleonic Europe and an England which is undone by a handful of people and their need to see magic restored. It is a story of how friendship can drive you to madness and how love can do the same. It is a story of Otherness, and by that I do not mean the fae, but persons of color and women and poverty. For me it was these people who were the most intriguing. The wives and the street people, the servants and soldiers, these were the stories I was interested in. Strange and Norrell and their story is that on which all other hung. But tell me more about John Uskglass and more about Vinculus. I want to know about Emma and Arabella, Segundus and Martin Pale.
Overall, I am extraordinarily glad I finally got to hear the story of how magic returned to 19th-century England. And while I know no author owes their fans anything Clarke has hinted at more of this story. That would be wonderful.